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尺寸:像高83.8 cm, 底座高22.9 cm
年代:12-13世纪 Kamakura period (1185–1333)
质地:木胎髹漆
风格:日本
参阅:外部链接
来源:纽约大都会博物馆
鉴赏:
木胎髹漆,施金粉、金箔,并镶嵌水晶
这种被称为“阿弥陀三尊”的造像组合,表现了阿弥陀如来(梵文:Amitabha Tathagata)与其天部眷属一同“来迎”至此世界、在信徒临终时予以救度的场景。阿弥陀佛(无量光佛)结跏趺坐于佛坛中央的莲花座上,两侧为其胁侍菩萨:右侧为观音(梵文:Avalokiteshvara),左侧为势至(梵文:Mahasthamaprapta)。
来源:
[ Garrett Chatfield Pier , New York, until 1912; sold to MMA]
展览:
New York. The Metropolitan Museum of Art. “Brush Writing in the Arts of Japan,” August 17, 2013–January 12, 2014.
New York. The Metropolitan Museum of Art. “Celebrating the Arts of Japan: The Mary Griggs Burke Collection,” October 20, 2015–May 14, 2017.
New York. The Metropolitan Museum of Art. “Anxiety and Hope in Japanese Art,” April 8, 2023–July 14, 2024.
The Metropolitan Museum of Art. “The Three Perfections: Japanese Poetry, Calligraphy, and Painting from the Mary and Cheney Cowles Collection,” August 10, 2024–August 3, 2025.
著录:
Tokyo Kokuritsu Bunkazai Kenkyūjo 東京国立文化財研究所, ed. Nyūyōku Metoroporitan Bijutsukan, kaiga, chōkoku ニューヨークメトロポリタン美術館,絵画・彫刻 (Painting and sculpture of the Metropolitan Museum of Art, New York) Kaigai shozai Nihon bijutsuhin chōsa hōkoku 海外所在日本美術品調查報告 (Catalogue of Japanese art in foreign collections), vol. 1, Tokyo: Kobunkazai Kagaku Kenkyūkai, 1991, p. 139, cat. no. 431.1.