佛像网

尺寸：Overall: 138.8 x 38.2 x 27.4 cm
年代：北齐-隋代
质地：砂岩石雕
风格：中原
来源：克利夫兰艺术博物馆
参阅：外部链接
鉴赏：
Bodhisattva Guanyin
觀音菩薩
late 500s–early 600s
China, late Northern Qi (550–577) or early Sui dynasty
(581–618)

The artistic excellence of this bodhisattva is further reinforced by comparable outstanding Chinese Buddhist sculptures excavated at Qingzhou in Shandong Province in 1996—one of the most sensational and significant archaeological finds of the 20th century. Like related types among the Qingzhou finds, this statute has a gently smiling face and meticulous detailing of splendid jewelry. A noticeable difference, however, is the unique yingluo (mukt hara) worn by the bodhisattva for personal adornment. The somewhat bizarre but imaginative combination of a string of jewels with grotesque animal masks, flying apsara, jade pendants, dragons, and metal ornaments was probably a regional decorative style of Shanxi Province.

传承:
?–1962
(Mayuyama and Company, Tokyo, Japan, sold to the Cleveland Museum of Art)
1962–
The Cleveland Museum of Art, Cleveland, OH

著录:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 250 archive.org

Ho, Wai-Kam. “Three Seated Stone Buddhas.” The Bulletin of the Cleveland Museum of Art 53, no. 4 (April 1966): 84–102. Mentioned and Reproduced: pp. 93–94, fig. 24 www.jstor.org

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 250 archive.org

展览:
Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).

Korea: Bridge of Culture. The Cleveland Museum of Art (organizer) (June 11-August 10, 1980).

Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 330 archive.org