佛像网

尺寸：108.5 cm x 61 cm
年代：宋代
质地：绢本
风格：中原
来源：台北故宫博物院
参阅：外部链接
鉴赏：
清宫旧藏

據觀音感應傳所載：唐元和十二年，陜西金沙灘上，有一美女子攜籃鬻魚，人爭欲室之，惟馬氏子能誦法華經，故令具禮成婚。入門，女即死，有高僧告馬氏子云：此觀音示現以化汝耳。故又稱馬郎婦觀音，為三十三觀音之一，是乃魚籃觀音之由來。本幅觀音盤坐畫幅正中，亦以民婦姿態出現。前置竹籃中，有魚一尾，卻與觀音的衣紋線條和臉部輪廓線一般，俱因年代久遠而模糊不清，僅依稀可見魚鱗而已。

According to the Kuan-yin kan-ying chuan, in A.D.817 there was a beautiful young woman who sold fish from a basket living in Chin-sha-t'an, Shansi. Of the many who competed for her hand, the victor was a young man named Ma who could recite the Lotus sutra. The new bride, however, died right after getting married. A monk told the young man that the woman was a manifestation of Kuan-yin who had come to aid in their salvation. For this reason, Kuan-yin with the Fish Basket is one of the thirty-three manifestations of Kuan-yin. In this painting, Kuan-yin, shown seated, has the appearance of a village lass. Her bamboo basket is placed in front; in which lies a single fish. The painting has lost some if its detail and clarity with age, but in places the scales of the fish can still be seen.

著录:
秘殿珠林續編（乾清宮），頁96
故宮書畫錄（卷五），第三冊，頁126
故宮書畫圖錄，第三冊，頁17
黃逸芬，〈宋人畫魚籃觀音　軸〉，收入鍾子寅主編《法華經及其美術》（臺北：國立故宮博物院，2022.03），頁216-217。