佛像网

尺寸：21.5 x 7.1 x 5.1 cm
年代：隋代
质地：铜鎏金
风格：中原
来源：美国弗利尔美术馆
参阅：外部链接
鉴赏：
Bodhisattva Guanyin with a willow wand and amphora

观音菩萨立像：鎏金青铜像，正面直立，左手抬起持杨柳枝，右手垂下执净瓶。
面部造型简练，眉、眼睑等细节以细线强调。头部微垂，更显菩萨的沉思神情。宝冠左右对称，正面及两侧饰有突出的流苏；较长的流苏自后方垂落，搭于双肩。头部后方尚存一小部分突出的装饰。项饰与垂挂的璎珞，胸前饰有圆珠，辅以圆形花饰和带有垂坠流苏的叶形宝相花坠饰，下摆边缘亦饰有流苏，彰显出菩萨神圣而尊贵的王子般气度。披帛的两端均已残断，在下摆边缘向外展开，形成稳定的轮廓；起伏的衣摆微微上提，露出菩萨赤裸的双足。与正面富有立体感的造型形成对比，背面衣纹则以平面造型和细线勾勒。其上的小莲花座可能并非原配。像身表面残留有原始鎏金痕迹，并附有绿色锈蚀堆积。

Standing Bodhisattva, Guanyin: the gilt-bronze figure stands frontally holding a willow branch in the raised left hand and a flask in the lowered right. Facial features are simply modelled with details such as the eyebrows and eyelids emphasized by fine lines. The downward cast of the head enhances the diety's contemplative expression. The headdress is symmetrical with projecting tassels at the front and sides; and longer tassels fall from the back and over the shoulders. A small portion of projecting ornament remains at the back of the head. A necklace and pendant jewelry, accented by a rounded ball at the chest, circular plaques and the foliate disk with projecting tassels at the lower hemline, reflect the Bodhisattva's divine, princely status. The stole ends, both of which are broken, flare at the lower border, providing a stabilizing silhouette, and the undulating hemline is raised to reveal the deity's bared feet. In contrast to the plastic modelling that characterizes the forms on the front of the figure, flat forms and fine lines describe the drapery patterns at the back. The small lotus pedestal may not be original. The surface of the figure bears traces of original gilding and areas of greenish accretions.

Previous custodian or owner
Establissement des Beaux-Arts du Monde

展览:
Promise of Paradise (October 14, 2017 - ongoing)
Promise of Paradise: Early Chinese Buddhist Sculpture (December 1, 2012 to January 3, 2016)
Studies in Connoisseurship 1923-1983 (September 23, 1983 to March 1, 1984)