佛像网

尺寸：65 x 53 cm
年代：13-14世纪
质地：paubha（纽瓦尔彩绘唐卡）
风格：尼泊尔
来源：拍卖会
成交：391,500欧元(2018.12)
参阅：外部链接
鉴赏：

IMPORTANT PAUBHA REPRESENTANT AVALOKITESHVARA NEPAL, CIRCA 1300

Il est représenté assis en lalitasana sur une base lotiforme placée sur un trône. Ses mains principales sont en dharmacakramudra, les autres rayonnant autour de lui. Il est vêtu de dhoti, paré de bijoux. Son visage est emprunt d'une expression sereine. Il est flanqué par quatre orantes. Le registre supérieur est orné des cinq tathagatas, Buddha Shakyamuni et Maitreya. Le registre inférieur est peint de quatre scènes de cérémonies rituelles

重要纽瓦尔彩绘唐卡 观音像
尼泊尔，约1300年

此尊观音以自在坐（lalitasana）坐于莲座之上，莲座置于宝座台基。主臂双手结转法轮印，其余手臂于身周放射状展开。身着裙裳，佩饰珠宝。面容呈寂静之态。左右两侧各立两位供养天女。上方横栏装饰五方佛、释迦牟尼佛及弥勒菩萨。下方横栏绘有四场仪式场景。

来源:
The Private Collection of Lionel and Danielle Fournier of Himalayan Art, collected in Europe during 1970s-1980s.

著录:
H. Uhlig, Tantrische Kunst des Buddhismus, Verlag Ullstein GmbH, Berlin 1981, p. 156-157, n. 52.
G. Béguin, Art ésotérique de l'Himâlaya : La donation Lionel Fournier, Réunion des musées nationaux, Paris 1990, p. 174.

展览:
Musée national des arts asiatiques - Guimet, 13 October 1990 - 28 January 1991.

This fine paubha portrays a rare form of the six-armed Avalokiteshvara who sits majestically in lalitasana on a lotus base placed on an elaborate throne. He is sumptuously decorated with jewellery contrasting well against his red body colour. The iconographic particularities are discussed at length and explained by Gilles Béguin on pages 172 and 175 in his publication and therefore need not to be repeated. The god of compassion is surrounded by various emanations, the upper register includes the five transcendental Buddhas and the lower part shows the priestly consecration of the painting and its donors.

The unknown artist displays a confident, firm hand resulting in a well-balanced composition with delicate and fine executed lines. The subdued colours, with an emphasize on red and blue, makes this early painting an important testimony of early Newari religious art.

这幅精美的paubha（纽瓦尔彩绘唐卡）描绘了一尊罕见形式的六臂观音，他以自在坐（lalitasana）庄严地坐于莲座之上，莲座置于一精致的宝座台基上。其身饰华丽珠宝，与红色的身相形成鲜明对比。其图像学特征已在Gilles Béguin的著作第172页及第175页详加讨论与解释，故此无需赘述。这尊慈悲之神周围环绕着各种化身，上方横栏绘有五方佛，下方则呈现了为这幅唐卡举行开光仪式的僧侣及供养人。

这位佚名艺术家运笔自信稳健，构图平衡有致，线条细腻而精准。色调沉稳，以红、蓝为主色，使这幅早期绘画成为纽瓦尔早期宗教艺术的重要见证。